Heaven Chronicles, Joan D Vinge (1991)
Review by Simon Petrie
Joan D Vinge’s asteroid-colony book Heaven Chronicles is novel-length, but it’s not a single novel: instead it combines the works ‘Legacy’ (which I judge to be on the awkward cusp, in length, between a novella and a short novel) and the short(ish) novel ‘The Outcasts of Heaven Belt’. To complicate matters slightly, ‘Legacy’ is itself a combination of two short novellas ‘Media Man’ and ‘Fool’s Gold’. Two of the three component stories (‘Media Man’ and ‘The Outcasts of Heaven Belt’) first appeared in Analog magazine, respectively in 1976 and 1978; ‘Fool’s Gold’ was first published in Galileo magazine in 1980. The Outcasts of Heaven Belt has also all been published separately as a paperback. Additionally, Vinge has apparently revised all of this material, in a book entitled Heaven Belt which, to the best of my knowledge, has not yet seen release.
The tales within Heaven Chronicles all concern the unfolding, and downward-spiralling, history of the colonised asteroid belt orbiting the star Heaven, in a system rich in planetoidal resources but lacking any habitable planets. The two stories comprising ‘Legacy’ explore the adventures of prospector-turned-media-reporter Chaim Dartagnan and pilot Mythili Fukinuki, who meet as participants in an ill-fated mission to rescue the wealthy occupant of a spacecraft marooned on the frozen, inhospitable Planet Two. ‘The Outcasts of Heaven Belt’ deals with the events that unfold following the arrival in Heaven system of Ranger, a well-resourced and technologically advanced starship piloted by Betha Torgussen who, after the ship comes under attack from an overzealous colony defence force, is one of only two survivors from an original complement of seven.
There’s a decidedly old-fashioned and pulpy feel to Heaven Chronicles. (I offer this as an attempt at classification rather than any implied criticism.) There’s a lot of argument, a lot of tension, some well-telegraphed action and a kind of rough simplicity to the characterisation, more so in the space-operatic ‘The Outcasts of Heaven Belt’ than in ‘Legacy’. The most obvious overarching characteristics of the stories are, however, an evidently thoroughgoing respect for the laws of physics and an interest in the exploration of gender politics. It’s probably relevant also to note the book’s thoroughgoing use of “metric time” – ie, seconds, kiloseconds, megaseconds, gigaseconds – rather than the “imperial time” (hours, days, years, etc) to which readers are presumably accustomed. The use of unconventional time units is initially disruptive – the conversion to familiar units has to be thought through, the first few times – but does, I think, encourage a degree of immersion in the story that might otherwise be absent.
I found ‘Legacy’ to be the more rewarding of the assembled components: while neither Dartagnan nor Fukinuki is a particularly compelling viewpoint character, the interaction between them is fascinating, and I appreciated the story’s ultimate (rather elliptical) denouement. ‘The Outcasts of Heaven Belt’ suffered slightly by comparison: the story seemed overlong and meandering in places. Overall, while I found the book enjoyable, I suspect its “bitsy-ness” might irk some readers, since, despite the presence of common characters, the three stories don’t really mesh together to form a complete whole. On the other hand, it would probably hold a strong appeal to devotees of 1950s and 1960s space-based SF.
This review originally appeared on Simon Petrie.